Ranking amongst the first narrative concept albums, S.F. Sorrow might not have a very well-explained plot, but musically it's downright fantastic, taking the most psychedelic moments of the Beatles (think Tomorrow Never Knows and the like) and bringing them to the next level. At some points the pulsating percussion on the album seems to offer a precedent for later drum and bass, whilst the acoustic closer Loneliest Person is downright haunting. At points a Kinks-and-Beatles-inspired product of its time, at other point years ahead of the rest of the pack, it's a fascinating musical trip and deserves its reputation as one of the keystone psychedelic albums of its era.
By: warthur