Kieran Hebden's (for he is Four Tet) latest work is an exploration of abstract melody and tranquil beats. The album title draws partially on the notion of singing rounds and repetition. And this is evident in the crisp percussive loops, sprinkled with intriguing pizzicato banjo sounds, balalaika phrases, and the scraps of discordant sample that are perfectly scattered around.
The album is a feast of unlikely juxtaposition, such as the melodic harp and ghostly, scratchy echo of industrial metronome, overlaid with backwards samples of My Angel Rocks Back & Forth. Elsewhere there are sparse and soothing jazzy pieces, gentle rolling percussion, jangley melotron and hints of the Ipcress File.
Hebden says "This record has a 2am lonely feeling, because that was largely when it was made, on my own, in my little flat" - and that is just how it feels. It's an inspired and original collection of delicately chilled and often haunting, melancholic pieces. An album of rare intensity that feels like an honoured insight into the personal moods of Kieran Hebden.
By: Man raised by penguins